Outside the back door there are hundreds of small plants
waiting to be planted in the garden. I’m beginning to feel a bit overwhelmed with the amount of work I have created for
myself to do.
All these plants to place in tubs or in the garden. Every
year I think the same, why did I sow so many seeds? I’ve given lots of plants
away but still I’m left with too many
for my own garden.
I make the same sort of mistakes with my writing – I have
the same self-doubt. Sometimes, in the
middle of writing a story I think, “Why did I start writing this?” I worry
about my characters; I fret about the plot; I agonise over my style until my
hand freezes and I can’t write another word.
I had a similar feeling outside, in the garden, this
morning. A cold May wind and a navy-blue sky filled me with gloom and
pessimism. “Why did I start digging out these spring bulbs? It’s cold and
miserable and pointless.” I came back into the house and I suddenly remembered
a moment twenty years ago, when I was writing Truth, Lies and Homework.
My editor at Viking Penguin, Ann-Janine Murtagh, had read
the latest draft of the novel. She liked it but she felt that there was too
much going on. There were too many characters and too much happening. She asked
me a question which has helped me when I’m overwhelmed with my work. “Josephine,
what is the story you really want to tell?”
I picked up the manuscript and started to look at it again. “Well…”
I began.
“No. Don’t look at anything… tell me the story you really want to write.”
I took a deep breath and I told Ann-Janine my story. “Now
write that story,” she said. I often
remember this conversation when I’m filled with anxiety about my writing. I ask
myself the question, “Josephine, what is the story?” Answering this involves thinking
- time away from the pen and the laptop – walking, peeling vegetables or
dealing with the too many plants I have grown again this year.
Now that’s another story.
Thanks, Ann-Janine.
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